7-3-12 –Interview

Billie Wildrick can’t remember a time when she wasn’t making up stories, becoming characters and singing all the time. Her Mom would carry little Billie into company so she could sing Thummertime, so it is not surprising that Billie became a performer. And she got lots of breaks as people easily saw her talent and potential. She was spotted by a talent agent in grade school and went to NY for auditions but her Mom wasn’t comfortable with the role of stage mother and brought her home. Right out of college, she was “scooped up” by the prestigious 5th Avenue Theater in Seattle, where she will be performing in her 20th production next year. But even with all her talent Billie’s journey has not been easy. At auditions and certain venues she suffered such severe anxiety, that her body shook and she could not sing “with her voice.” But she has found ways to deal with that obstacle and you can see the glowing result in her performance as Brünnhilde in Das Barbeque currently playing for another 2 weeks at Florida Studio Theater in Sarasota. You can hear her story and hear her singing in this interview, and see a picture of her as Brünnhilde here.

3-27-12 – Interview

Family stories say that at the age of 2 or 3 little Graham Dechter would sing along with the records his parents played or the music his film arranger Dad was composing. “It just came naturally” he says. It was not that he thought of becoming a musician, it was that he always was a musician. And he discovered his own way to make music. His first piano teacher objected when ­­five year old Graham refused to bring in the Bach piece he was asked to learn and instead brought in a John Williams film score – Raiders of the Lost Ark. So Graham changed teachers. And although he learned piano and violin it wasn’t until he picked up the guitar – “just to fool around with,” that he discovered his instrument. Listen to Graham talk about the way he learned to play by ear and the unique way he found to play the guitar which is “not how any other guitar player plays” and of course listen to a cut from his CD where he is backed by jazz greats John Clayton on bass, Jeff Hamilton on Drums and Tamir Handelmen on piano.

3-13-12-Interview

Katherine Michelle Tanner is one of the lucky ones; with an actress mother, artist father and concert pianist grandmother, she grew up surrounded by, and encouraged to, experience the all of the arts. As a result she’s played with and mastered virtually all of them; a dancer, who convinced her ballet master to take her on before she reached the mandatory age, a pianist, violinist, artist, singer and actor, Katherine is currently part of the ensemble cast of Next Fall at Florida Studio Theater. Listen to Katherine talk about the intricacies of this play – it will make you want to run out and see it and her.

11-08-11 Interview Part 3

On December 15th 1941, (following the bombing of Pearl Harbor) President Franklin Delano Roosevelt requested that Norman Corwin’s radio play “We Hold These Truths,” become the first radio program to be carried by all the network stations in the country. Written to celebrate the 150th anniversary of the ratification of the Bill of Rights, and starring Edward Arnold, Walter Brennen, Bob Burns, Walter Huston, Marjorie Mane, Edward G Robinson, Corporal James Stewart.

11-1-11 Interview Part 2

The second half of my interview with 100 year old Norman Corwin begins with his description of Orson Wells’ narrating “We Hold These Truths,” which Norman wrote to celebrate the 150th anniversary of the ratification of the Bill of Rights and which was rebroadcast 50 years later on NPR to celebrate its 200th anniversary. Hear him tell the story of the program he created for Election Eve, the year that FDR ran against Thomas Dewey, and his unwillingness to be paid for it because of his concern that he would “not be safe” at CBS if he declared himself a Democrat. Norman’s story continues with the description of his relationship with actor Charles Laughton and how this relationship lead to a career in Hollywood and the writing of screenplays for films such as “Lust For Life,” the Vincent Van Gogh story which he wrote for director Vincent Minnelli and starred Kirk Douglas. Finally hear a portion of his radio play “Between American’s” – also narrated by Orson Wells.

And listen next week for the full airing of “We Hold These Truths.”

I’m interrupting the airing of my Bonnie and Clyde The Musical interviews to dedicate the next 3 shows to what I believe is the last interview given by Norman Corwin who died on 10/18/11 at the age of 101. I interviewed Mr. Corwin at his home shortly before his 100th birthday. Propped in his wheelchair, with little capacity to move his ancient body, Mr. Corwin was nonetheless lucid, erudite, and remembered virtually everything about his 70 plus year career. After the interviews I will rebroadcast one of his most beloved radio plays “We Hold These Truths.”

10-25-11 Norm Corwin Interview Part 1

Norman Corwin has been called “the poet laureate of radio,” the Bard of Broadcasting, a “citizen of the world” “and “to radio what Shakespeare was to theater.” He is truly a national treasure. Listen to the hilarious “accidents” which propelled his career. Hear the story of his interview with world’s greatest ashcan roller, (who could roll an ashcan faster and further than anyone without spilling an ash,”) and was the very first interview ever broadcast on radio, to the production,”On a Note of Triumph.,” written to mark the end of the war in Europe, which then president FDR had alerted him was soon to come, so that he could have the piece ready in time.

The Plot to Overthrow Christmas
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Orson Welles performs “Between Americans” by Norman Corwin 1 of 3
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Orson Welles performs “Between Americans” by Norman Corwin 2 of 3
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Orson Welles performs “Between Americans” by Norman Corwin 1 of 3
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9-13-11

Five year old Bob Trisolini and his cousins entertained their parents by putting on plays which always ended with little Bobby being stood on his head and pushed over – a perfect beginning for the entertainer that Bob would become. But like KJ Hatfield, Bob was concerned about making enough money for the life style he wanted, so he took his talents to corporations. Listen to the incredibly long list of companies for whom he created spectacular events which introduced products, celebrated successes, motivated sales forces etc. Now in retirement from an overwhelmingly successful career which took him all over the world, and with a seemingly inexhaustible amount of talent and energy Bob continues to work here and there for FL based companies and to direct and perform in local theater productions. Just having finished directing “Stop The World” for Sarasota’s Golden Apple dinner theater, he is currently directing “Seussical The Musical” for the Players theater. Listen to this irrepressible dynamo and hear a song from “Seussical The Musical.”

8-30-11

Interview with the talented and engaging jazz pianist Eric Scott Reed who made the seasoned musicians at the Newport, CA Marriott Jazz Party take notice by playing both rapid fire jazz and achingly sweet melodies, like his version of the classic Thelonious Monk tune ‘Round Midnight’ from his tribute album to Monk called The Dancing Monk, which I will play as well original compositions from his CD Stand. Two year old Eric began fooling around with his neighbor’s piano while they were babysitting for him. He was always surrounded by the music his parents loved and his experience with his neighbors piano led him to try to play whatever he heard on the radio or the record player. He would pick out the notes he heard and it wasn’t long before he was playing full songs. His parents finally decided to give five year old Eric piano lessons. Listen to Eric talk about his parents, who although raised poor and black in the south, were able to give him and his siblings love, acceptance, discipline and faith. And in Eric’s case to have nurtured a thoughtful and talented professional musician who is dedicated to sharing the gift of his music in every way that he can.

August’s shows included interviews with people who came in with their destiny clear in their minds, all four musicians were playing the piano by the time they were three years old.

August 03, 2020 Dotti Anita Taylor Re-Run Interview – see March 30, 2010

Dotti Anita Taylor was a true prodigy. At three years old Dottie would play the music she’d heard her seven year old sister play. Not surprisingly her sister’s piano teacher didn’t believe it until she saw tiny Dottie play what she heard. Cleverly the teacher insisted that Dottie not hear any of the music she was learning so she would not be able to cheat – but had to learn to read music. The result is a consummate musician who plays not only piano but flute exquisitely. A soft-spoken gentle woman Dottie is a powerhouse when connected to one of her instruments.

July 13 Interview with Duncan La Mont

Although already a very successful musician and composer Duncan La Mont discovered that his first love is songwriting. Listen to how he discovered his skill and his passion for songwriting and hear some of his songs which were recorded by Natalie Cole, Blossom Dearie and Cleo Laine – to name only a very few. Duncan’s story to use his words is nothing less than “Magical and Spiritual.”

July 06, 2010

This is the first half of my interview with the much awarded, applauded, and accoladed Duncan La Mont. A boy from the tiny poverty stricken town of Greenock, Scotland, who expected to spend his life working in the mines, and although he tried hard to avoid it, found himself playing with Henry Mancini, Tony Bennett, Bing Crosby, Benny Goodman, Paul McCartney. Listen to remarkable way Duncan was pushed into accepting and using his prodigious musical gifts. Hear his wonderful music and his disarming sweetness.

September 08, 2009

Interview – In this show I interview composer, arranger, pianist, songwriter Mike Moran (husband of Kitt Moran from last week), a year behind his wife, Mike decided at four years old that what he wanted to do was “make music.” Less supported in this dream than lucky Kitt, he finally gave himself to music. Listen to the lovely result of that surrender.

Interview – Whenever I encounter a couple, both of whom make their living or their life with an art, I like to interview them as a couple. The Moran’s have been together 36 years and when you hear them talk together you can tell why. There is tenderness, affection, respect, and admiration in virtually everything they say about each other.

September 01, 2009

Discussion – Do you have qualities, capacities, abilities you didn’t know you had? Perhaps they are hiding Undercover while you just present your Cover Story – I will be taking about that in this show.

Interview – with singer, writer, painter Kitt Moran, who knew at 3 years old she was going to be a singer – even though she didn’t know if she could sing. Listen to her hilarious tale of making a childhood career out of Peter Pan, and to the remarkable talent that was waiting to be released. As a child Kitt knew that she was born to be a singer, and she was right.

May 13, 2008

After recapping the creation of a Cover Story I explain how and why we hide some of our most important qualities Undercover, and that these qualities which we have, but deny, can be the very ones we need to do some things we’d previously been unable to do. Using brief descriptions of two movies “Juno” and “Miss Pettigrew” I talk about the importance of strong female role models in fiction and then play the second ½ of my interview with Sharon Lesley, who is not only a powerful role model but has written three theater pieces which highlight the lives of powerful woman.

May 06, 2008

Beginning with a recap of the concepts of Modeling and Anti-Modeling and talking about the dilemma of being an artist in this culture, this show goes on to demonstrate how the creation of a Cover Story stops us from doing what we would otherwise be able to do. It continues the series Anatomy of an Artist with the first half of an interview with Sharon Lesley, actor/singer/playwright/director, and includes cuts from CD’s by Sharon and her husband pianist David Ohrenstein.