Set Designer
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Memorial to director and costume/set designer Tony Walton
http://www.thelynneshow.com/Audio/Podcasts/Show_643_3_7_22_Memorial_to_Tony%20Walton.mp3
3/7/22 Memorial to Director, Costume and Set Designer Tony Walton
I interviewed the remarkable Tony Walton when he directed George Bernard Shaw’s The Devil’s Disciple for the Asolo Repertory Company in Sarasota FL. Known primarily for his design work, Tony was delighted to be interviewed as a director. Listen to this generous, delightful, funny, charming, man describe his astounding career, the success of which he self-deprecatingly credits to “dumb luck.” See below some of his awards
Tony Awards for Pippin, House of Blue Leaves, and Guys and Dolls.
Oscar, for All That Jazz,
Emmy, TV version of Death of a Salesman
Academy Award for Best Production Design 1980,
Drama Desk Award for Outstanding Set Design 1992, 1986, 1973
Primetime Emmy Award for Outstanding Art Direction – Miniseries, Movie or a Special 1986
Lucille Lortel Award for Outstanding Scenic Design 1996
Art Directors Guild Lifetime Achievement Award 2012
Academy Award nominations for Mary Poppins (1964), Murder on the Orient Express (1974), and The Wiz (1978).[1]
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Interview with Robert de Warren Part 3
6-3-19 Part 3 of my interview with Ballet Master Robert de Warren begins with a description of the frightening climax to his tour with Iran’s National Folklore Organization to celebrate America’s Bicentennial and his departure from Iran as that country descended into chaos. It goes on to describe his seven year tenure with La Scala in Milan which Rudolph Nureyev chose him to lead: a star studded period during which Robert choreographed and designed ballets for the world’s most prestigious dancers and for which Princess Margaret was the Ballet’s patron. It concludes with a description of the ironic way Robert began his 13 years leading the Sarasota Ballet Company.
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Interview with Robert de Warren Part 2
5-27-19 In the 2nd part of my interview Robert de Warren talks about his studies with The Royal Ballet School, his early work with the Royal Opera Company, his first choreography with the Royal Ballet Choreographic workshop, his time with the Stuttgart, Frankfurt and Berlin Companies where he was finally able to dance principle roles. He talks about his first meeting with Rudolph Nureyev who would become his dear friend and sponsor, the injury to the sesamoid bones in his feet which threatened to end his career and his life, and how, at the Shahs’ request, he took over the National Ballet of Iran, later becoming Founder of Iran’s National Folklore Organization, where he documented and recorded previously unseen tribal ceremonies. It ends with his description of the both glorious and disastrous tour of America that he made with the troupe and his painful discovery of what would soon happen in Iran.
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Interview with writer, a painter, a musician, an actor, a singer, a dancer; light and sound designer Eliza Ladd
Many artists describe themselves and their work with one or a few adjectives, they’re a writer, a painter, a musician, an actor, a singer, a dancer; they work with light or sound or design. Eliza Ladd uses all these adjectives and more to describe herself and her art. She has spent her life exploring every possible way a person can express themselves creatively. Although she didn’t know how she was going to use all the skills she pursued, Eliza followed her curiosity and instinct and has created an art which synthesizes all of the skills she studied, trained in and developed. Listen to this spontaneous, guileless, breathless woman describe a journey for which there was no roadmap, a life in which she had to be her own guide and in which she created an Art which is uniquely her own
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Interview with theater professional Monica Cross
8/6/18 Monica Cross’s mother loved to sew and she passed her love of creating costumes on to her daughter. But that was just the beginning of a life dedicated to all things theater for Monica. Today, as the Production Manager and Technical Director of the black box theater at Sarasota’s New College, she acts, directs, costumes, creates lights, sound and scenery and teaches. In her spare time she writes. Her first full-length play The Wonder of Our Stage, recently won the competition at the new play reading festival at the Players Theater and will be fully produced next season. Listen to Monica talk about her discovery that theater was where she belonged and her infectious passion for all the things she does there.
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Interview with the extraordinary Wayne Adams Part 2
12-12-17 Part – 2 In this second part of my interview, Wayne Adams continues to relate his remarkable life. Listen to him describe his delightful meeting with legendary acting teacher Maggie Flannigan; and how his production of Ralph Pape’s Say Goodnight, Gracie directed by Austin Pendleton, resulted in his determination to bring Chicago’s Steppenwolf Theatre Company to Broadway; first in the production of True West with John Malkovich and Gary Sinise and then in the Lincoln Center production of And a Nightingale Sang with , Joan Allen. Wayne says “I’m interested in being the human being that I am,” and he reminds us that “life is taking chances, not doing what someone else thinks you should do but doing from yourself honestly according to your own instincts.” Listen and be inspired.
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Interview with Steve Patmagrian
9-5-17 Steve Patmagrian grew up in an artistic household, but he resisted going into the arts until, on a lark, he and some friends went backstage at The Players and Steve was captured by the idea of creating something from nothing. He volunteered to do set work for the Players in his first year of high school and worked on every show straight through graduation. After Graduation he was appointed designer and technical director He had found what he was meant to do. But there is no easy way to define or label Steve’s career. Having attended Ringling School of Art and Design Steve has been a set designer, stage manager, sound and lighting technician, event planner, videographer, technical director combat instructor. New Atmosphere Productions, Steve’s studio and special events Production Company, had a 25-year run staging imaginative happenings for Sarasota Film Festival, Mote Marine, Historic Spanish Point, Sarasota Memorial Hospital and other area nonprofits. He has created custom props and sets for The Golden Apple, Venice Little Theatre, The Players, Manatee Players, Westcoast Black Theatre Troupe, Florida Studio Theatre, Sarasolo, The Starlite Room and the Asolo. Listen to this charming, funny, unique man describe a life which cannot be categorized only admired.
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Interview with Mark Clayton Southers
Director Mark Clayton Southers is an award winning playwright, poet, photographer, scenic designer, theatrical producer and stage director. He is the founder and producing artistic director of the Pittsburgh Playwrights Theatre Company. But he discovered his passion for theater late and mostly by accident. Working as a photographer he shot stills for theatrical productions but never stayed to see the play; it was “just not his thing.” While videotaping August Wilson’s Ma Rainey’s Black Bottom he finally understood “the power of theater.” Years later his cousin asked him to stand in for an actor who was temporarily unavailable; that actor lost his job and Mark began a new career. Dedicated to giving his family all that they needed, Mark managed to balance his “good paying work” in the Steel Industry with his passion to pursue theater. Listen to this serious, multi- talented, self-deprecating man talk about his creation of a rich, diverse and satisfying life.
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Interview with Tobin Ost
6-11-13 Audio Interview with Tobin Ost, Costume and Set Designer
Both a set and costume designer, Tobin Ost thought he was going to be an architect, but a series of experiences when he was quite young; seeing a production of Pirates of Penzance where a ship literally comes off the stage above the audience and a TV show of Japanese theater coalesced when, as a high school student looking for a summer job he was turned down by the architectural firm, and went instead to the Community theater where was hired to paint and hammer nails. But his mentor (and the mentor of many), who Tobin says must have “seen something in him,” gave him more and more design work until Tobin realized what he was really meant to do. Listen to the surprising twists and turns which led to his becoming Jeff Calhoun’s “secret weapon”. And hear this soft spoken and thoughtful man give us the Tobin Ost crash course in set and costume design.
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Interview with Tobin Ost
6-19-12 Nominated for a Tony Award for his work on Newsies, set and costume designer Tobin Ost is Jeff Calhoun’s “secret weapon.” Soft spoken and serious Tobin thought he was going to be an architect. But when, as a high school student he was turned down for a job at an architectural firm, he approached the theater across the street, was hired and the rest is history. Listen to the twists and turns that led Tobin inexorably to what is, without question, his right place.
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