11-12-19 Interview

7-22-19 Interview

7-15-19 Interview

1-1-19 Interview

6-3-19 Interview

6-3-19 Part 3 of my interview with Ballet Master Robert de Warren begins with a description of the frightening climax to his tour with Iran’s National Folklore Organization to celebrate America’s Bicentennial and his departure from Iran as that country descended into chaos. It goes on to describe his seven year tenure with La Scala in Milan which Rudolph Nureyev chose him to lead: a star studded period during which Robert choreographed and designed ballets for the world’s most prestigious dancers and for which Princess Margaret was the Ballet’s patron. It concludes with a description of the ironic way Robert began his 13 years leading the Sarasota Ballet Company.

3-27-19 Interview

5-27-19 In the 2nd part of my interview Robert de Warren talks about his studies with The Royal Ballet School, his early work with the Royal Opera Company, his first choreography with the Royal Ballet Choreographic workshop, his time with the Stuttgart, Frankfurt and Berlin Companies where he was finally able to dance principle roles. He talks about his first meeting with Rudolph Nureyev who would become his dear friend and sponsor, the injury to the sesamoid bones in his feet which threatened to end his career and his life, and how, at the Shahs’ request, he took over the National Ballet of Iran, later becoming Founder of Iran’s National Folklore Organization, where he documented and recorded previously unseen tribal ceremonies. It ends with his description of the both glorious and disastrous tour of America that he made with the troupe and his painful discovery of what would soon happen in Iran.

5-20-19 Interview
Dancer, Choreographer, Ballet Master, Scenic and Costume Designer, Producer, Director, educator, author and Artistic Director of the most prestigious Ballet Companies in the world Robert de Warren, is one of the legendary, illustrious, celebrated and influential members of the international ballet community. In Part 1 of my interview this erudite, entertaining, gifted man describes his early life; his birth in Uruguay, his childhood in Montevideo, meeting his beloved Jacqueline, his career in banking and the serendipitous way he discovered, at age 16, that he was meant to be a ballet dancer.

5-13-19 Interview

5-13-19 Sharon Leslie Ohrenstein is a renaissance woman. Her extraordinary voice was first discovered in Kindergarten when she was chosen to sing the solo in the Christmas play and has delighted countess audiences since. She is a fine actor appearing in vastly dissimilar roles with authenticity. As a director she has helped actors find nuances which enabled them to be better than they were. And, as a teacher, she has enhanced the experience of the eager students at Roads Scholar for 16 years. Although writing came late in her life, along with her composer husband David, she wrote the book and lyrics to two musicals and two operas; producing, directing, and staring in many (she even made the costume). Listen to this amazing woman talk about her life journey and her current adventure; the creation of Patra a brand new Opera based on Cleopatra’s last days, which was chosen as a workshop production at the prestigious Seagle Music Colony in Schroon lake NY. And click here to donate to its gofundme page to be a part of this adventure. https://www.gofundme.com/patraopera

1-14-19 Interview

1-14-19, a scholar, rhetoric and Shakespeare specialist Glenn Schudel is a multi-faceted, multi-talented man. Although he didn’t take a straight path, over time Glenn discovered his interest in and passion for acting, writing, directing, and teaching. Disciplined and conscientious he studied and became all of them and more. Listen to this thoughtful, articulate man describe his circuitous route to become all that he is. And come see him perform his one man show based on one of his delightful, if arduous experiences at 1:00 on Jan 26th at this year’s Sarasolo festival.

10-15-18 Interview

Andrei Maleav-Babel is a Russian Immigrant. The son and grandson of writers and artists, Andrei wrote musicals and directed his parent’s friends in his plays, by the time he was 10 or 12. Luckily coming of age as Perestroika was occurring in Russia, Andrei was able to start his own theater as a very young man. Barely able to speak English, he met, courted and married an American sociology student and became a Professor of Acting at the prestigious FSU Conservatory for Actor Training, one of the top ten actor training companies in the United States. Listen to him tell his amazing story and talk about his direction of the Conservatory’s production of Ibsen’s’Ghosts opening on Jan 4th

12-17-18 Interview

2/1718 Michael Donald Edwards is in his thirteenth season as producing artistic director of Asolo Repertory Theatre. As a boy he attended Catholic schools where he was steeped in theology and philosophy and thought of becoming a priest or a teacher. He didn’t see a play until college, where he discovered what he was really meant to do with his life. But having given up religion for theater he none the less maintained his passion for philosophy and the life of the spirit. Listen to this articulate, passionate, sometimes outrageous man talk about his belief in the “golden rule” and how it informs his work. Then hear him describe Arthur Miller’s “The Crucible” which he is directing for this season at the Asolo.

11-19-18 Interview
11-19-18 By the time he was 9 years old Jeff Calhoun knew what he wanted to do: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to join the Ernie Flat dancers on the Carol Burnet show. He wanted to be a dancer! It was, he says, “in his DNA.” And, as if it was meant to be, a series of circumstances propelled him on the path of dancer, choreographer and director of musicals. Listen to unexpected way he became the protégé of the amazing Tommy Tune and the remarkable series of happenstance’s that led to his directing such musicals as Jekyll and Hyde, Grease, Big River, Bonnie and Clyde – The Musical, Newsies, and Pulse. And luckily nor us he is back at the Asolo, teamed once again with the incomparable Noah Racey, to direct the Broadway classic Music Man. Listen to this thoughtful, generous, self-deprecating man talk about a life spent “imagining” for the theater.

11-12-18 Interview

11/12/18 Director James Dean Palmer’s life is proof that miracles can still happen. James’ miracle was not metaphysical – it was human. Born into circumstances which almost certainly would have doomed him to an unpleasant and perhaps short life, James was lucky enough to have many people intervene. These interventions allowed him to recognize, utilize and benefit from abilities and skills he might otherwise never have known he had. Listen to this delightful, passionate man tell his moving story and describe his remarkable journey. And come down to the Asolo Conservatory to see him use those skill in his direction of Tom Stoppard’s powerful play Arcadia.

9-1718 Interview –

9/17/18 Part 3 of my interview with Roger Steffins begins with his description of how he discovered Bob Marley and Reggae Music and how this discovery became a lifelong obsession. Today his collection of records, posters and other memorabilia, is the largest in the world. Hear about his frustrating campaign to establish an archive of this collection as the Museum of Reggae Music in Jamaica. Then he describes his years of doing a radio show on MPR, the creation of the Reggae/African Music newsletter which lasted 28 years and had as many as 60,000 subscribers, his relationships with film greats Waldo Salt, Bill Link and John Ritter which led to his career as an actor and narrator of film, audio books and documentaries.

2-11-19 Interview

Many artists describe themselves and their work with one or a few adjectives, they’re a writer, a painter, a musician, an actor, a singer, a dancer; they work with light or sound or design. Eliza Ladd uses all these adjectives and more to describe herself and her art. She has spent her life exploring every possible way a person can express themselves creatively. Although she didn’t know how she was going to use all the skills she pursued, Eliza followed her curiosity and instinct and has created an art which synthesizes all of the skills she studied, trained in and developed. Listen to this spontaneous, guileless, breathless woman describe a journey for which there was no roadmap, a life in which she had to be her own guide and in which she created an Art which is uniquely her own

7-23-18 Interview

7/23/18 Pianist, singer, director, actor, musical director Paul Helm was lucky. From the elderly babysitter who convinced his parents to give four year old Paul piano lessons, to the choir teacher who “saw something in him,” to the agent who having seen Paul on stage, pursued him until Paul agreed to leave his beloved Wisconsin and make the leap to New York City, Paul has been led to the career which he “loves” and which although often difficult, he “wouldn’t have it any other way.” Listen to this enthusiastic young man talk about his work and don’t miss his delightful performance in the wacky and wonderful musical “Murder for Two” at Florida Studio Theater.

6-4-18 Interview

6/4/18 Actor, theater maker Brendan Ragan loves being on stage. He always knew he was a natural; but he “never wanted to settle for pretty good,” and the need to hone his “artistry,” to be pushed, to be torn down and rebuilt if that was what it took for him to reach his personal best, drives him. It drove him to risk to joining 11 other graduates to create Single Carrot, a theater company in Baltimore on what was – although they didn’t know it – the most dangerous street in town; it drove him to leave there, although people thought he was crazy to leave that wonderful set up, and apply to graduate school; and its driven him to join Summer Wallace and Harry Lipstein in creating the Urbanite theater in Sarasota. Listen to this passionate, articulate man talk about his obsession to create the very best theater experience he can for himself and his audience, come see him demonstrate his “artistry” in the Urbanite’s current production of “Incognito”

1-15-18 Interview

5-28-18 Jerry Billik is a composer, arranger, songwriter, conductor, and director of stage productions. Although he downplays his skill and accomplishments Jerry’s career is extraordinary. A musical virtuoso by the age of 13, he has composed more than 50 pieces of music, from popular ballads to marches to his ‘Symphony for Band’. His concert march “Block M” composed for the University of Michigan Marching Band when he was a senior there has been voted by band composers as one of the top 100 marches of all time. He wrote the “M Fanfare” which is still played by the University of Michigan marching band prior to their playing the famous fight song. He has worked with many popular artists, including Danny Kaye, Dick Van Dyke, Leonard Bernstein, Barbra Streisand, and Neil Diamond. He has arranged music for several television series and serves as Vice President of creative development for Disney on Ice, having arranged all the music for the Disney on Ice shows, which he also writes and directs. Listen to this self-deprecatory charming man tell delightful stories of a life spent with music and theater like the ironic reason he taught himself to play piano.

4-30-18 Interview

5-7-18 As a boy Chuck Smith felt his family’s distress when his uncle, a Merchant Marine, was lost at sea. Chuck decided that he wanted to matter as much as his beloved uncle and, as soon as possible, enlisted in the Marines, believing that he would spend his life in the service. After two tours Chuck decided to check out civilian life but he found it boring and was just about to re-up when friends asked him to stand in for an actor who had dropped out of a play which was just about to. Chuck had no experience of, or even any interest in the theater – in fact he was insulted to be to be asked – after all he was “a military man!” But he agreed to help out his friends. The reaction he got from the audience when he came out for his bow changed his life. Today Chuck, is a resident director at Chicago’s prestigious Goodman Theater where he is currently directing Having Our Say and a freelance director anywhere that African American theater is growing. Listen to this extraordinary man tell his unusual story.

5-14-18 Interview
5-14-18 Marie Thomas-Foster knew by the time she was twelve years old that she didn’t want to follow in her families tradition – and become a teacher – she wanted to perform. She began taking dance lessons as soon as she could and convinced her friends to create “shows” in which they sang and danced. She misled her mother into thinking she was majoring in Education when she was actually studying Theater. And her determination paid off as her career has taken her to roles on Stage and Screen (big and little). But apparently the power of her early training never quite left her as she also taught theater at the City College of New York and created Theater Workshop where she gave hundreds of youngsters and opportunity to learn to sing and dance and act. Today she is staring in Having Her Say at the Goodman Theater in Chicago directed by Chuck Smith.