9-27-21 Actor, Choreographer, Director Jim Weaver is the Artistic Associate and Director of Education at Westcoast Black Theater Troupe. In this interview Jim talks about his life and his current project, directing the upcoming production of the musical revue Eubie. Like many artists, Jim always knew he wanted to be a performer. Unlike many however, he talked his parents into providing acting lessons when he was ten years old and, by the time he was fourteen, he had an agent and was a working actor. Listen to this veteran describe his journey from fourteen year old model, spokesperson and actor, to chorus, dance captain, choreographer, director and artistic associate . Also hear him talk about the exciting and moving, (in the physical sense) production of Eubie.
FYI in conjunction with all of the theaters in Sarasota, WBTT is requiring proof of vaccination, or proof of a negative Covid test within 72 hours, and the wearing of masks – the audience will also be social distanced

The Anatomy of an Artist Series with Lynne Bernfield
can be heard and downloaded https://thelynneshow.com/Audio/Podcasts/Show_628_1_14_21_Carolyn_and_Howard_SJT.mp3
1-14-21 Interviews with Carolyn Michel and Howard Millman.
On Sunday, January 31, 3:00 the first show of the brand new Sarasota Jewish Theater season will feature Carolyn, directed by Howard, performing Women I Have Loved featuring monologues from her favorite characters, and stories from her career, ranging from Sid Caesar and Broadway to performances in Regional Theaters and 24 seasons with Asolo Rep.
Carolyn Michel has had a storied career, from her success as a baby ballerina, to the early days at the Golden Apple Dinner Theatre, to performing with Sid Caesar on Broadway and on tour, major performances in Regional Theaters across the country, and 24 seasons on the Asolo stage.
Howard J. Millman was Producing Artistic Director of the Asolo Repertory Theatre from 1995 until he retired in 2006. Prior to rejoining the Asolo in 1995 he was Producing Artistic Director for Geva Theatre in Rochester, New York, Executive director of Pittsburgh Public Theatre and Managing Director of the Asolo. From 1968 to 1980. .
Today is Carolyn’s birthday, a great birthday gift would be buying a ticket and supporting the theater.
Get tickets at https://jfedsrq.org/events,

5-11-20 Interview

The board of the Hermitage Artist Retreat in Florida announced today that the organization has chosen Andy Sandberg as its Artistic Director and Chief Executive Officer as of January 1, 2020. Sandberg succeeds Bruce Rodgers, who is retiring after serving as the Hermitage’s Executive Director since 2005. Sandberg, an accomplished director, writer, and Tony Award-winning producer whose national and international career has been committed to new work and artist development, was selected following an extensive national search. In his new role, Sandberg will be responsible for overseeing the organization’s operations, artistic programs, administration, and strategic plan.

1-27-20 Interview

1-6-20 Interview

1-20-20 Interview

1-6-20 Interview

1-6-20 Interview
Joe Plummer describes himself as an “entertainer,” and it is certainly an apt description. Listen to him describe his surprising career as a singer, dancer, actor, playwright, songwriter and director although he never had a lesson or any training. And come to the First Presbyterian Church of Sarasota Tues 1/21 to Sat 1/25 to see him co-star as Louis Armstrong with Marta Mckinnon as Lil Hardin in “Lil and Louis,” a play by Jo Morello which tells the story of their love affair. Tickets at www.LILandLOUIS.com

11-12-19 Interview

7-22-19 Interview

7-15-19 Interview

1-1-19 Interview

6-3-19 Interview

6-3-19 Part 3 of my interview with Ballet Master Robert de Warren begins with a description of the frightening climax to his tour with Iran’s National Folklore Organization to celebrate America’s Bicentennial and his departure from Iran as that country descended into chaos. It goes on to describe his seven year tenure with La Scala in Milan which Rudolph Nureyev chose him to lead: a star studded period during which Robert choreographed and designed ballets for the world’s most prestigious dancers and for which Princess Margaret was the Ballet’s patron. It concludes with a description of the ironic way Robert began his 13 years leading the Sarasota Ballet Company.

3-27-19 Interview

5-27-19 In the 2nd part of my interview Robert de Warren talks about his studies with The Royal Ballet School, his early work with the Royal Opera Company, his first choreography with the Royal Ballet Choreographic workshop, his time with the Stuttgart, Frankfurt and Berlin Companies where he was finally able to dance principle roles. He talks about his first meeting with Rudolph Nureyev who would become his dear friend and sponsor, the injury to the sesamoid bones in his feet which threatened to end his career and his life, and how, at the Shahs’ request, he took over the National Ballet of Iran, later becoming Founder of Iran’s National Folklore Organization, where he documented and recorded previously unseen tribal ceremonies. It ends with his description of the both glorious and disastrous tour of America that he made with the troupe and his painful discovery of what would soon happen in Iran.

5-20-19 Interview
Dancer, Choreographer, Ballet Master, Scenic and Costume Designer, Producer, Director, educator, author and Artistic Director of the most prestigious Ballet Companies in the world Robert de Warren, is one of the legendary, illustrious, celebrated and influential members of the international ballet community. In Part 1 of my interview this erudite, entertaining, gifted man describes his early life; his birth in Uruguay, his childhood in Montevideo, meeting his beloved Jacqueline, his career in banking and the serendipitous way he discovered, at age 16, that he was meant to be a ballet dancer.

5-13-19 Interview

5-13-19 Sharon Leslie Ohrenstein is a renaissance woman. Her extraordinary voice was first discovered in Kindergarten when she was chosen to sing the solo in the Christmas play and has delighted countess audiences since. She is a fine actor appearing in vastly dissimilar roles with authenticity. As a director she has helped actors find nuances which enabled them to be better than they were. And, as a teacher, she has enhanced the experience of the eager students at Roads Scholar for 16 years. Although writing came late in her life, along with her composer husband David, she wrote the book and lyrics to two musicals and two operas; producing, directing, and staring in many (she even made the costume). Listen to this amazing woman talk about her life journey and her current adventure; the creation of Patra a brand new Opera based on Cleopatra’s last days, which was chosen as a workshop production at the prestigious Seagle Music Colony in Schroon lake NY. And click here to donate to its gofundme page to be a part of this adventure. https://www.gofundme.com/patraopera

1-14-19 Interview

1-14-19, a scholar, rhetoric and Shakespeare specialist Glenn Schudel is a multi-faceted, multi-talented man. Although he didn’t take a straight path, over time Glenn discovered his interest in and passion for acting, writing, directing, and teaching. Disciplined and conscientious he studied and became all of them and more. Listen to this thoughtful, articulate man describe his circuitous route to become all that he is. And come see him perform his one man show based on one of his delightful, if arduous experiences at 1:00 on Jan 26th at this year’s Sarasolo festival.

10-15-18 Interview

Andrei Maleav-Babel is a Russian Immigrant. The son and grandson of writers and artists, Andrei wrote musicals and directed his parent’s friends in his plays, by the time he was 10 or 12. Luckily coming of age as Perestroika was occurring in Russia, Andrei was able to start his own theater as a very young man. Barely able to speak English, he met, courted and married an American sociology student and became a Professor of Acting at the prestigious FSU Conservatory for Actor Training, one of the top ten actor training companies in the United States. Listen to him tell his amazing story and talk about his direction of the Conservatory’s production of Ibsen’s’Ghosts opening on Jan 4th

12-17-18 Interview

2/1718 Michael Donald Edwards is in his thirteenth season as producing artistic director of Asolo Repertory Theatre. As a boy he attended Catholic schools where he was steeped in theology and philosophy and thought of becoming a priest or a teacher. He didn’t see a play until college, where he discovered what he was really meant to do with his life. But having given up religion for theater he none the less maintained his passion for philosophy and the life of the spirit. Listen to this articulate, passionate, sometimes outrageous man talk about his belief in the “golden rule” and how it informs his work. Then hear him describe Arthur Miller’s “The Crucible” which he is directing for this season at the Asolo.

11-19-18 Interview
11-19-18 By the time he was 9 years old Jeff Calhoun knew what he wanted to do: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to join the Ernie Flat dancers on the Carol Burnet show. He wanted to be a dancer! It was, he says, “in his DNA.” And, as if it was meant to be, a series of circumstances propelled him on the path of dancer, choreographer and director of musicals. Listen to unexpected way he became the protégé of the amazing Tommy Tune and the remarkable series of happenstance’s that led to his directing such musicals as Jekyll and Hyde, Grease, Big River, Bonnie and Clyde – The Musical, Newsies, and Pulse. And luckily nor us he is back at the Asolo, teamed once again with the incomparable Noah Racey, to direct the Broadway classic Music Man. Listen to this thoughtful, generous, self-deprecating man talk about a life spent “imagining” for the theater.