Scenic Designer
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Memorial to director and costume/set designer Tony Walton
http://www.thelynneshow.com/Audio/Podcasts/Show_643_3_7_22_Memorial_to_Tony%20Walton.mp3
3/7/22 Memorial to Director, Costume and Set Designer Tony Walton
I interviewed the remarkable Tony Walton when he directed George Bernard Shaw’s The Devil’s Disciple for the Asolo Repertory Company in Sarasota FL. Known primarily for his design work, Tony was delighted to be interviewed as a director. Listen to this generous, delightful, funny, charming, man describe his astounding career, the success of which he self-deprecatingly credits to “dumb luck.” See below some of his awards
Tony Awards for Pippin, House of Blue Leaves, and Guys and Dolls.
Oscar, for All That Jazz,
Emmy, TV version of Death of a Salesman
Academy Award for Best Production Design 1980,
Drama Desk Award for Outstanding Set Design 1992, 1986, 1973
Primetime Emmy Award for Outstanding Art Direction – Miniseries, Movie or a Special 1986
Lucille Lortel Award for Outstanding Scenic Design 1996
Art Directors Guild Lifetime Achievement Award 2012
Academy Award nominations for Mary Poppins (1964), Murder on the Orient Express (1974), and The Wiz (1978).[1]
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Interview with Robert de Warren Part 3
6-3-19 Part 3 of my interview with Ballet Master Robert de Warren begins with a description of the frightening climax to his tour with Iran’s National Folklore Organization to celebrate America’s Bicentennial and his departure from Iran as that country descended into chaos. It goes on to describe his seven year tenure with La Scala in Milan which Rudolph Nureyev chose him to lead: a star studded period during which Robert choreographed and designed ballets for the world’s most prestigious dancers and for which Princess Margaret was the Ballet’s patron. It concludes with a description of the ironic way Robert began his 13 years leading the Sarasota Ballet Company.
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Interview with Robert de Warren Part 2
5-27-19 In the 2nd part of my interview Robert de Warren talks about his studies with The Royal Ballet School, his early work with the Royal Opera Company, his first choreography with the Royal Ballet Choreographic workshop, his time with the Stuttgart, Frankfurt and Berlin Companies where he was finally able to dance principle roles. He talks about his first meeting with Rudolph Nureyev who would become his dear friend and sponsor, the injury to the sesamoid bones in his feet which threatened to end his career and his life, and how, at the Shahs’ request, he took over the National Ballet of Iran, later becoming Founder of Iran’s National Folklore Organization, where he documented and recorded previously unseen tribal ceremonies. It ends with his description of the both glorious and disastrous tour of America that he made with the troupe and his painful discovery of what would soon happen in Iran.
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Interview with Ballet Master Robert de Warren part 1
5-20-19 Interview
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Dancer, Choreographer, Ballet Master, Scenic and Costume Designer, Producer, Director, educator, author and Artistic Director of the most prestigious Ballet Companies in the world Robert de Warren, is one of the legendary, illustrious, celebrated and influential members of the international ballet community. In Part 1 of my interview this erudite, entertaining, gifted man describes his early life; his birth in Uruguay, his childhood in Montevideo, meeting his beloved Jacqueline, his career in banking and the serendipitous way he discovered, at age 16, that he was meant to be a ballet dancer. -
Interview with the extraordinary Wayne Adams Part 2
12-12-17 Part – 2 In this second part of my interview, Wayne Adams continues to relate his remarkable life. Listen to him describe his delightful meeting with legendary acting teacher Maggie Flannigan; and how his production of Ralph Pape’s Say Goodnight, Gracie directed by Austin Pendleton, resulted in his determination to bring Chicago’s Steppenwolf Theatre Company to Broadway; first in the production of True West with John Malkovich and Gary Sinise and then in the Lincoln Center production of And a Nightingale Sang with , Joan Allen. Wayne says “I’m interested in being the human being that I am,” and he reminds us that “life is taking chances, not doing what someone else thinks you should do but doing from yourself honestly according to your own instincts.” Listen and be inspired.
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Interview with Steve Patmagrian
9-5-17 Steve Patmagrian grew up in an artistic household, but he resisted going into the arts until, on a lark, he and some friends went backstage at The Players and Steve was captured by the idea of creating something from nothing. He volunteered to do set work for the Players in his first year of high school and worked on every show straight through graduation. After Graduation he was appointed designer and technical director He had found what he was meant to do. But there is no easy way to define or label Steve’s career. Having attended Ringling School of Art and Design Steve has been a set designer, stage manager, sound and lighting technician, event planner, videographer, technical director combat instructor. New Atmosphere Productions, Steve’s studio and special events Production Company, had a 25-year run staging imaginative happenings for Sarasota Film Festival, Mote Marine, Historic Spanish Point, Sarasota Memorial Hospital and other area nonprofits. He has created custom props and sets for The Golden Apple, Venice Little Theatre, The Players, Manatee Players, Westcoast Black Theatre Troupe, Florida Studio Theatre, Sarasolo, The Starlite Room and the Asolo. Listen to this charming, funny, unique man describe a life which cannot be categorized only admired.
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Interview with Tony Walton
In this show I introduce the concept of The Great Trait Swap and explain how difficult it can be to give up a role you’ve been assigned and take on a quality that had been assigned to another family member. I also air my interview with 3 times Tony Award winner, world famous scenic designer Tony Walton and air Sharon Lesley’s review of George Bernard Shaw’s The Devil’s Disciple which he directed for the Asolo repertory theater in Sarasota.
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