1-13–20 Four year old Peter Amster decided that if Peter Pan could fly so could he and he had to be restrained from jumping out of the window. From then on he never stopped pushing his limits. Although he was to discover that his body was not designed to dance, he became a passionate dancer and choreographer. Although he says he wasn’t a very good actor – he nonetheless got work, and finally although already a working director – he questioned his technique and expanded his skill. Peter is not only a triple threat; he is a charming, delightful and funny man. Listen to his remarkable man talk about his journey. And hear what he has to say about his direction of one of the first productions of Murder at the Orient Express which is now playing to deservedly rave reviews at the Asolo Repertory Co.continue reading
11-12-19 Dancer, singer, actor and Broadway director/choreographer Josh Rhodes is in Sarasota directing his seventh show for the Asolo Repertory Theater; The Sound Of Music.. Listen to this charming story of a man who was drawn to musicals as a 5 year old boy, who dedicated his life to becoming the very best performer he could possibly be and was rewarded for his talent and his diligence with the Outer Critics Circle Award, the Helen Hayes Award for Outstanding Choreography, and the Astaire Award as well as nominations for the Drama Desk and LA Critics Circle Awards and a career in which he never had to have a straight job!continue reading
Interview with writer, a painter, a musician, an actor, a singer, a dancer; light and sound designer Eliza Ladd
Many artists describe themselves and their work with one or a few adjectives, they’re a writer, a painter, a musician, an actor, a singer, a dancer; they work with light or sound or design. Eliza Ladd uses all these adjectives and more to describe herself and her art. She has spent her life exploring every possible way a person can express themselves creatively. Although she didn’t know how she was going to use all the skills she pursued, Eliza followed her curiosity and instinct and has created an art which synthesizes all of the skills she studied, trained in and developed. Listen to this spontaneous, guileless, breathless woman describe a journey for which there was no roadmap, a life in which she had to be her own guide and in which she created an Art which is uniquely her owncontinue reading
There will be a celebration of Jimmy’s extraordinary life at 4:00 on Mon 2/9 2015 at the Mertz Theater in the Asolo Repertory Theatre complex.
Dancer, choreographer, movement coach, director, painter, writer, storyteller, teacher, cook, Jimmy Hoskins was member on the of the Penn State University theater faculty for 10 years, professor emeritus of theater at Florida State University, staff choreographer for the Asolo Repertory Theatre for 45 years, visiting choreographer at Florida Studio Theater, The Golden Apple, the Sarasota Opera, the Banyan Theater, the Venice Theatre and the Players Theatre and adjunct faculty member of the Asolo Conservatory for Actor Training, following his long and distinguished career in New York, California, Texas, Mexico and Paris.
He wrote three books. “The Dances of Shakespeare,” for which he also did the illustrations;. And his two book irreverent and delightful memoir “Our Hearts were Khaki and Gay,” and “No Fairies, No Magic.” which can be purchased at Barnes and Noble and Amazon.
Greg Leaming of The Asolo Conservatory says “He very strongly connected to his students as a friend, mentor and teacher. What he brought into the room was an infectious spirit and a love of the art form.”Richard Hopkins of Florida Studio Theater says “In an age before political correctness, in a society that all too frequently rejected people who were different, Jimmy was proud to be gay. He was adept at teaching us straight guys how to relax with the gay guys, how to revel in our differences, and how to appreciate the depth of our similarities.
He was, as Carl Meyer his beloved partner of 19 years says, a “Renaissance man.” But for me the most enduring memories of Jimmy will be of his sweetness and his generosity. Jimmy was always giving – even when he was suffering he never burdened others with his distress. I was lucky enough to be one of the legions of people who benefited directly from his talent and his willingness to give it selflessly and joyfully. My life is changed forever by both what I learned from Jimmy and how he taught it.
In 2011 the Asolo established the Jimmy Hoskins Visiting Artist Chair for Stage Movement and Dance, an endowed fund that brings guest artists in to work with conservatory students. Contributions to the Jimmy Hoskins Visiting Artists Chair in Stage Movement and Dance are welcomed by sending a check, payable to FSU Foundation (reference Jimmy Hoskins Fund in note section) to the Florida State University Foundation, Suite 300, 2101 Levy Ave., Tallahassee, FL 32310, or by giving online at one.fsu.edu/community/.continue reading