Director

  • Interview with Andrei Maleav-Babel

    6-7-11 Interview

    Andrei Maleav -Babel – is a Russian Immigrant. The son and grandson of writers and artists, Andrei wrote musicals and directed his parent’s friends in his plays, by the time he was 10 or 12. Luckily coming of age as Perestroika was occurring in Russia, Andrei was able to start his own theater as a very young man. Barely able to speak English, he met, courted and married an American Sociology student and became a Professor of Acting at the prestigious Asolo Conservatory in Sarasota Florida. Listen to his amazing story and his ideas about training actors. Keep these in mind when, in the following weeks, I air interviews with many of his students who have just graduated from that program, and talk at length about the impact that studying with Andrei had on them.

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  • Interview with Jeff Calhoun

    5-31-11 Interview

    By the time he was 8 years old Jeff Calhoun knew what he wanted to do: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to dance with the Ernie Flat dancers on the Carol Burnett show. He wanted to be a dancer! It was “in his DNA.” And, as if it was meant to be, a series of circumstances propelled him on the path to dancer, choreographer and director of musicals. Listen to unexpected way he became the protege of the amazing Tommy Tune and the remarkable series of happenstance’s that led to his directing such musicals as Jekyll and Hyde, Grease, Big River and most recently Bonnie and Clyde – The Musical, which is scheduled to open on Broadway this fall/winter. Then hear one of the songs from Frank Wildhorn’s wonderful score for Bonnie and Clyde sung by Jeremy Jordon as Clyde and Laura Osnes as Bonnie.

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  • Interview with Wes Grantom

    4-26-11 Interview

    Interview – Wes Grantom‘s grandfather would gather Wes and his 7 cousins around the campfire on weekends and tell stories – stories the kids believed were real. Including the night grandfather and uncles woke them up in the middle of the night pretending to be rustlers who’d come to steal the horses. These events are still clear in Wes’ mind and perhaps are the genesis of his desire first to be an actor and then to realize his calling as a director; a spinner of tales, a teller of stories – other people’s stories. Listen to Wes describe his trepidation at having to tell his grandfather and father that he’d given up his place on the football team to be in a show. And how he came to be directing Tartuffe for the Asolo Conservatory and about his involvement in the emerging piece The Steadfast, based on painter Steve Alpert’s extraordinary painting “Legacy.”

     

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  • Interview with Kate Alexander

    September 28

    Kate Alexander is not only assistant Artistic Director of the Florida Studio Theater, but an extremely talented actor and director. She was not an outgoing or precocious child and says that no one would have expected her to become an actress. Even in college where she majored in drama her teachers “didn’t know what to do with her.” But although she couldn’t say exactly why, Kate had decided at age 8 that the stage was her destiny, and difficult and discouraging as her path was, Kate knew she had to travel it, and it has brought her to where she always wanted to – and knew she should be.

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  • Interview with Richard Hopkins

    September 21, 2010

    Richard Hopkins has been the very successful Artistic Director of Florida Studio Theater in Sarasota FL for 30 years, but he didn’t see a play until he was 19. Coasting through college with no idea what he wanted to do with his life until a speech teacher told him he would get a better grade if he helped build sets, this led to taking a drama class and he was “hooked!” He had found his “window to the world.” And then, as he says he does everything, Richard became “obsessed,” and “followed his bliss” wherever it took him – even when the conventional wisdom said that path was a dead end.

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  • Interview with Carole Kleinberg

    December 22, 2009

    Carole Kleinberg always wanted to direct plays, and even though her family discouraged her Carole was able to find the courage to pursue her dream. Trusting her instincts, she over and over again risked closing the door on one aspect of her life without knowing what is waiting for her. And over and over again something wonderful and completely unexpected was literally waiting in the wings. Carole has lived a life in sync with her deepest conviction of what is right for her and because of that her life has not only been exciting and fulfilling, it has also touched, influenced and encouraged many, many others.

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  • Review of ‘Contact’ and Interview with Iain Webb

    November 10, 2009

    I’m dedicating this show to a review by Sharon Leslie of the Tony Award winning musical “Contact,” which celebrates its 10th anniversary with a collaboration between the Asolo Repertory Company and the Sarasota Ballet Company at the Asolo Theater in Sarasota Florida till November 22nd. And an Interview with Iain Webb, Director of the Sarasota Ballet Company Iain has danced all over the world, with many of the world’s most prestigious companies. Because his career has connected him with some the ballet world’s greatest choreographers he is able to bring their works to Sarasota, making this season as remarkable as it is exciting. Iain’s story is compelling. Hear how a real live Billy Elliot found, protected and nurtured his dream of becoming a ballet dancer.

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  • Interview with Carole Schweid, Part 2

    October 27, 2009

    Discussion – Learn more about Uncovering Try the Who Am I Really exercise.

    Interview – The second half of my interview with Carole Schweid, which begins with the “era of children.” In it Carole talks about how the explosively creative mother of two manages to give both her family and her creatively what they require, and to do it with joy!

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  • Interview with Carole Schweid, Part 1

    October 20, 2009

    Discussion – Can you recognize your Cover Story? Do you know what qualities, characteristics, capabilities or skills you’ve hidden Undercover? In this show I talk about how this happens and describe the positive role of Denial.

    Interview – The first half of my interview with Carole Schweid, a founder with Nancy Diamond, of Play with Your Food, a truly unique theater experience. Listen to Carole’s funny, charming, disarming story. Hear her tell how she went from someone who was “dancing from the minute she could walk,” to the singer, actor, writer, director, choreographer, and producer she became.

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  • Interviews with Michael Donald Edwards and Jason Wells

    April 28, 2009

    In this show I air my interview with the producing artistic director of the Asolo Rep, Michael Donald Edwards, in which he talks about his vision for theater. I replay Sharon’s review of Shakespeare’s A Winter’s Tale, which Michael directed and about which he takes at length. I also air my interview with actor/playwright Jason Wells, whose plan Perfect Mendacity is about to open.

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  • Interview with Pam Wiley, Part 1

    March 10, 2009

    I explain that families require balance and show how the roles assigned to each family member in childhood helps the family achieve and maintain that balance. I air the fist half of my interview with Actor/Director Pam Wiley.

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  • Interviews with Carolyn Michel and Howard Millman

    February 22, 2009

    Here I begin to describe how brain chemistry can be altered, and air Sharon’s reviews of The Imaginary Invalid and Visiting Mr. Green currently playing at the Asolo Rep, and also play parts of my interviews with Carolyn Michel, star of Invalid, & her husband Howard Millman, director of Mister Green.

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  • Interview with Stuart Kaminsky, Part 1

    January 06, 2009

    In the first show of the Year I explain why New Year’s Resolutions can be dangerous; tell my annual Holiday story, interview mystery and screen writer, professor, lecturer Stuart Kaminsky & air Sharon Lesley’s review of La Cage.

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  • Interview with Carolyn Michael and Howard Millman

    July 29, 2008

    Feelings – emotions, which are a necessary part of being human, get a bad rap in our society, we dismiss or discount them often saying – don’t mind me I’m just being emotional. Our criticism of the expression of emotion can make simple feeling a Danger and stop us from changing. In this show I counteract the criticism we often hear about feeling and try to resurrect the importance of allowing ourselves to feel, I also air my interview couple with actor/philanthropist Carolyn Micheal and her director/theater manager husband Howard Millman.

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  • Interview with Carolyn Michel and Howard Millman

    June 03, 2008

    This show introduces the concept of the Danger of Change, and explains that often when we are stuck it is because we are unconsciously aware of a danger that will confront us when we do the thing we want to do. Then continuing my series of interview of artists I play interview with actress/philanthropist Carolyn Michel and her director theater manager husband Howard Millman.

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  • Interview with Sharon Lesley, Part 2

    May 13, 2008

    After recapping the creation of a Cover Story I explain how and why we hide some of our most important qualities Undercover, and that these qualities which we have, but deny, can be the very ones we need to do some things we’d previously been unable to do. Using brief descriptions of two movies “Juno” and “Miss Pettigrew” I talk about the importance of strong female role models in fiction and then play the second ½ of my interview with Sharon Lesley, who is not only a powerful role model but has written three theater pieces which highlight the lives of powerful woman.

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  • Interview with Sharon Lesley, Part 1

    May 06, 2008

    Beginning with a recap of the concepts of Modeling and Anti-Modeling and talking about the dilemma of being an artist in this culture, this show goes on to demonstrate how the creation of a Cover Story stops us from doing what we would otherwise be able to do. It continues the series Anatomy of an Artist with the first half of an interview with Sharon Lesley, actor/singer/playwright/director, and includes cuts from CD’s by Sharon and her husband pianist David Ohrenstein.

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