3-24-15 Interview

Dewayne Barrett knew he was a performer by the time he was four. He was encouraged by a family that recognized and enjoyed his talent – putting him on the kitchen table to do the popular dances and getting him on the Romper Room. Always able to mimic whatever movement he saw Dewayne was offered scholarships wherever he applied; first at the Georgia Ballet Company and the Atlanta Jazz Theater and later with Steps on Broadway. All through high school Dewayne studied dance, voice and acting and remarkably a choreographer saw him dance and offered him a job and a place to live in New York City and Dewayne has been working dancer, actor, choreographer, director ever since. Listen to this charming Southern boy talk about his extraordinary ride. And come see his amazing work at The Players Theater where he directed and choreographed the stunning production of the Broadway musical Catch Me if You Can and to Florida Studio Theater where he choreographed the cabaret piece Never Marry a Girl with Cold Feet.

2-3-15 Audio interview with Jimmy Hoskins

There will be a celebration of Jimmy’s extraordinary life at 4:00 on Mon 2/9 2015 at the Mertz Theater in the Asolo Repertory Theatre complex.

Dancer, choreographer, movement coach, director, painter, writer, storyteller, teacher, cook, Jimmy Hoskins was member on the of the Penn State University theater faculty for 10 years, professor emeritus of theater at Florida State University, staff choreographer for the Asolo Repertory Theatre for 45 years, visiting choreographer at Florida Studio Theater, The Golden Apple, the Sarasota Opera, the Banyan Theater, the Venice Theatre and the Players Theatre and adjunct faculty member of the Asolo Conservatory for Actor Training, following his long and distinguished career in New York, California, Texas, Mexico and Paris.

He wrote three books. “The Dances of Shakespeare,” for which he also did the illustrations;. And his two book irreverent and delightful memoir “Our Hearts were Khaki and Gay,” and “No Fairies, No Magic.” which can be purchased at Barnes and Noble and Amazon.

Greg Leaming of The Asolo Conservatory says “He very strongly connected to his students as a friend, mentor and teacher. What he brought into the room was an infectious spirit and a love of the art form.”Richard Hopkins of Florida Studio Theater says “In an age before political correctness, in a society that all too frequently rejected people who were different, Jimmy was proud to be gay. He was adept at teaching us straight guys how to relax with the gay guys, how to revel in our differences, and how to appreciate the depth of our similarities.

He was, as Carl Meyer his beloved partner of 19 years says, a “Renaissance man.” But for me the most enduring memories of Jimmy will be of his sweetness and his generosity. Jimmy was always giving – even when he was suffering he never burdened others with his distress. I was lucky enough to be one of the legions of people who benefited directly from his talent and his willingness to give it selflessly and joyfully. My life is changed forever by both what I learned from Jimmy and how he taught it.

In 2011 the Asolo established the Jimmy Hoskins Visiting Artist Chair for Stage Movement and Dance, an endowed fund that brings guest artists in to work with conservatory students. Contributions to the Jimmy Hoskins Visiting Artists Chair in Stage Movement and Dance are welcomed by sending a check, payable to FSU Foundation (reference Jimmy Hoskins Fund in note section) to the Florida State University Foundation, Suite 300, 2101 Levy Ave., Tallahassee, FL 32310, or by giving online at one.fsu.edu/community/.

12-30-14 Memorial to Jimmy Hoskins – Audio Interview

Dancer, choreographer, movement coach, director, painter, writer, storyteller, teacher, cook, Jimmy Hoskins was member on the of the Penn State University theater faculty for 10 years, professor emeritus of theater at Florida State University, staff choreographer for the Asolo Repertory Theatre for 45 years, visiting choreographer at Florida Studio Theater, The Golden Apple, the Sarasota Opera, the Banyan Theater, the Venice Theatre and the Players Theatre and adjunct faculty member of the Asolo Conservatory for Actor Training, following his long and distinguished career in New York, California, Texas, Mexico and Paris.

He wrote three books. “The Dances of Shakespeare,” for which he also did the illustrations; intended for dancer’s, choreographers and directors but which could also be understood by a lay audience. And his two book irreverent and delightful memoir “Our Hearts were Khaki and Gay,” and “No Fairies, No Magic.”
Greg Leaming of The Asolo Conservatory says “He very strongly connected to his students as a friend, mentor and teacher. What he brought into the room was an infectious spirit and a love of the art form.” Richard Hopkins of Florida Studio Theater says “In an age before political correctness, in a society that all too frequently rejected people who were different, Jimmy was proud to be gay. He was adept at teaching us straight guys how to relax with the gay guys, how to revel in our differences, and how to appreciate the depth of our similarities.

He was, as Carl Meyer his beloved partner of 19 years says, a “Renaissance man.” But for me the most enduring memories of Jimmy will be of his sweetness and his generosity. Jimmy was always giving – even when he was suffering he never burdened others with his distress. I was lucky enough to be one of the legions of people who benefited directly from his talent and his willingness to give it selflessly and joyfully. My life is changed forever by both what I learned from Jimmy and how he taught it.

In 2011 the Asolo established the Jimmy Hoskins Visiting Artist Chair for Stage Movement and Dance, an endowed fund that brings guest artists in to work with conservatory students.

11-4-14 — Audio Interview

Actor, singer, dancer, choreographer, stage manager Stephen Hope has brought his talents to more than 30 productions at the Florida Studio Theater in Sarasota FL, and he is doing it again in the current production of Hairspray. All kinds of music was sung and played in Stephen’s home, but it wasn’t until his first role as the cowardly lion in a Jr High School production, that Stephen found what was “right for him. “ Knowing that “people were laughing because of what I was doing – that we were all laughing at the same thing so we weren’t separate, we were one, it was very powerful.” That night Stephen’s Dad said “this is what you should be doing,” and the die was cast. In his 20’s Stephen took a detour; attempting to see if another path was right for him, but he soon realized that while he could do it – his “heart wasn’t there.” So he returned to the theater, to what makes him “happy,” to doing what is “right for him.” Hear him talk about his life and the exciting production of Hairspray. Also hear a rousing song from the show.

10-28-2014 Audio Interview

Poet, Dancer, Choreographer, Actor, Director, Harry Bryce is the former artistic director of Memphis Black Repertory Theater, and creator of the Harry Bryce Dance Company and Choreographer in residence for Vinnette Carroll’s theater co, taught dance and theater at Atlanta’s Morehouse and Spellman colleges Harry says that he came out of the womb dancing. And when you talk to him you can well believe it. Wise beyond his years Harry began writing poetry (although he didn’t know it was poetry) when he was a young boy in order to “stay sane.” He couldn’t take ballet lessons like his older sister because boys simply didn’t do that; but when she came home from her lesson his sister would take him into the back yard and do the lesson again for him. By the time they were ten years old Harry and his sister were a popular dance act appearing at local weddings and events. Listen to this exuberant, reflective man talk about his life and his work – which is currently directing the West Coast Black Theater Troupe’s ground breaking production of the comedy horror rock musical Little Shop of Horrors.

10-21-14 Audio Interview

Poet, Dancer, Choreographer, Actor, Director, Harry Bryce is the former artistic director of Memphis Black Repertory Theater, and creator of the Harry Bryce Dance Company and Choreographer in residence for Vinnette Carroll’s theater co, taught dance and theater at Atlanta’s Morehouse and Spellman colleges Harry says that he came out of the womb dancing. And when you talk to him you can well believe it. Wise beyond his years Harry began writing poetry (although he didn’t know it was poetry) when he was a young boy in order to “stay sane.” He couldn’t take ballet lessons like his older sister because boys simply didn’t do that; but when she came home from her lesson his sister would take him into the back yard and do the lesson again for him. By the time they were ten years old Harry and his sister were a popular dance act appearing at local weddings and events. Listen to this exuberant, reflective man talk about his life and his work – which is currently directing the West Coast Black Theater Troupe’s ground breaking production of the comedy horror rock musical Little Shop of Horrors.

4-29-14 Audio Interview Part 2

Poet, Dancer, Choreographer, Actor, and Director Harry Bryce says that he came out of the womb dancing. And when you talk to him you can well believe it. Precocious and wise beyond his years Harry began writing poetry (although he didn’t know it was poetry) when he was a young boy in order to “stay sane.” Curious and observant as few are, Harry began to notice everything. It became important to him to be “precise,” so he recognized the variation in the hues of different colors – and wondered about what happened to a seed. He couldn’t take ballet lessons like his older sister because ”boys didn’t do that;” but when she came home from her lesson his sister would take him into the back yard and do the lesson again for him. By the time they were ten years old Harry and his sister were a popular dance act appearing at local weddings and events. Harry went on to have a varied and productive career as the artistic director of Memphis Black Repertory Theater and creator of the Harry Bryce Dance Company, Choreographer in Residence for the prestigious Vinnette Carroll’s theater company and as professor of dance and theater at Atlanta’s Morehouse and Spellman colleges. Currently Harry is directing the Westcoast Black Theater Troupe of Sarasota’s production of Bubbling Brown Sugar. Listen to this charming, delightful and reflective man talk about his career and the importance of helping young people who have been discouraged to find and nurture their particular talents. And come to see his direction of the scintillating Bubbling Brown Sugar.

Audio Interview April 22, 2014

Poet, Dancer, Choreographer, Actor, and Director Harry Bryce says that he came out of the womb dancing. And when you talk to him you can well believe it. Precocious and wise beyond his years Harry began writing poetry (although he didn’t know it was poetry) when he was a young boy in order to “stay sane.” Curious and observant as few are, Harry began to notice everything. It became important to him to be “precise,” so he recognized the variation in the hues of different colors – and wondered about what happened to a seed. He couldn’t take ballet lessons like his older sister because ”boys didn’t do that;” but when she came home from her lesson his sister would take him into the back yard and do the lesson again for him. By the time they were ten years old Harry and his sister were a popular dance act appearing at local weddings and events. Harry went on to have a varied and productive career as the artistic director of Memphis Black Repertory Theater and creator of the Harry Bryce Dance Company, Choreographer in Residence for the prestigious Vinnette Carroll’s theater company and as professor of dance and theater at Atlanta’s Morehouse and Spellman colleges. Currently Harry is directing the West Coast Black Theater Troupe of Sarasota’s production of Bubbling Brown Sugar. Listen to this charming, delightful and reflective man talk about his career and the importance of helping young people who have been discouraged to find and nurture their particular talents. And come to see his direction of the scintillating Bubbling Brown Sugar.

5-28-13 Audio Interview

Jeff Calhoun knew what he wanted to do by the time he was eight: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to dance with the Ernie Flat dancers on the Carol Burnett show; he wanted to be a dancer! It was “in his DNA.” And, as if it was meant to be, a series of surprising circumstances propelled him on the path to becoming a dancer, choreographer and director of musicals. Listen to unexpected way he became the protégé of the amazing Tommy Tune and the remarkable series of happenstance’s that led to his directing Newsies, Bonnie and Clyde The Musical, Jekyll and Hyde, Grease and many more. And hear him talk why he decided to collaborate with Noah Racey who he thinks is the best dancer he has ever seen.

5-21-13 Audio Interview

When he was just three years old Noah Racey’s Dad gave him a snare drum and was stunned to hear, within the first week, his infant drummer playing an entire John Phillip Souza album. Discovering a place to put his excessive energy and deriving a feeling of belonging and pride at being allowed – by age six – to play with his father’s drum circle, Noah put his foot on the path that would define his life; a life that has grown to include dancing, singing, acting, writing and the creation of his own extraordinary company of triple threat performers. Come see Noah and his troupe perform the premier production of his very own creation; Noah Racey’s Pulse, at the Asolo Repertory Theatre in Sarasota Fl, and listen to the thoroughly delightful, spontaneous, joy-filled man talk about his love of the work to which he is giving his life.

Noah has danced in or choreographed for Fine and Dandy, Curtains with David Hyde Pierce, Busker Alley, Where’s Charley?, Babes in Arms, Do Re Mi, Never Gonna Dance, Thoroughly Modern Millie, The Baby and Johnny Project, and Look Ma, I’m Dancin’!

3-12 13 – Audio Interview

Actor, dancer, singer, director choreographer Rick Kerby says “my life has been one big wave, which I’ve ridden wherever it took me.” Opportunities did seem to pop up in front of him but Rick was always ready – listen to the charming and funny story of how he learned to dance for his college audition. While on a trip to NY with his college to see shows Rick courageously placed himself in front of the wave by walking into Actors Equity and, as a non equity actor, auditioning for the tour of Oklahoma. He got the job and never looked back. He was continually working; touring and touring and touring in Oklahoma, The Best Little Whore House in Texas, and Seven Brides for Seven Brothers he worked in Las Vegas and he taught. Today he brings that wealth of skill, experience and expertise to his position as producing artistic director of the Manatee Players Theater in Bradenton Florida, which is opening their brand new space with a production of Miss Saigon.

1-15-13 – Audio Interview

Kevyn Morrow is an actor, dancer, singer, director and choreographer, who hit the ground running. Seen performing as an all American College Band Dancer at Disneyland, he got an audition and his first professional a job at 19 in the National Touring Company of A Chorus Line, where he worked with the legendary Michael Bennett, and again in Dreamgirls. He made his Broadway debut in the Tony Award nominated musical Leader of the Pack. And from there he has done everything, including music videos with Stevie Nicks and a background dancer for Ann-Margret and Cher. As a boy Kevin was interested in everything; and he was lucky enough to have had parents who supported whatever it was their son wanted to do – even when that was acting – something they didn’t understand and were concerned would not support him. He excelled in sports, played the violin and drums, and trained in ballet, and minored in architectural design. But it was the image of his older brother, saying his one line in a local production of Peter Pan, which captured his 6 year old heart and stayed with him. And it was singing, dancing and acting that became his abiding passion. Currently you can see Kevyn’s directing and choreographing skills on stage in the Florida Studio Theater (FST) production of Smokey Joe’s Café and his acting chops in the FST production of Best of Enemies. Listen to this charming, funny man tell his own story and hear him sing a song from a show he was in.

11/27/12 – Audio Interview

Everyone in Berry Ayers family sang; his preacher grandfather sang to the congregation, his mother was a soloist in several professional gospel groups and aunt had a record deal. When Berry was 2 Mom and Aunt taught him and his six year old brother a song to sing in church and Berry performed 3 or 4 times a month from then on, learning along the way how to “work an audience;” how the little smile or wink would cause the audience to “go crazy.” To correct a foot deformity he was born with the doctor prescribed ballet or braces, Berry’s mother chose ballet (even though their Baptist religion frowned on it) and Berry has been singing, dancing, writing, acting, choreographing and directing ever since.

November 6th, 2012 – Interview

All kinds of music was sung and played in Stephen Hope’s home, but it wasn’t until his first role as the cowardly lion in a Jr High School production, that Stephen found what was “right for him. “ Knowing that “people were laughing because of what I was doing – that we were all laughing at the same thing so we weren’t separate, we were one, it was very powerful.” That night Stephen’s Dad said “this is what you should be doing,” and the die was cast. In his 20’s Stephen took a detour; attempting to see if another path was right for him, but he soon realized that while he could do it – his “heart wasn’t there.” So he returned to the theater, to what makes him “happy,” to what is “right for him.” Come see the delightful choreography he created to enhance “Let’s Twist Again,” a glorious explosion of 50’s music currently playing at Florida Studio Theater in Sarasota, Florida.

6-5-12 – Interview

Nominated for the Tony for his direction of the Broadway Musical Newies (which has 8 nominations including Best Musical), Jeff Calhoun knew what he wanted to do by the time he was 8 years old: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to dance on the Carol Burnett show; he wanted to be a dancer! It was “in his DNA.” And, as if it was meant to be, a series of circumstances propelled him on the path to becoming not only a dancer but a choreographer and a director of musicals like Jekyll and Hyde, Grease, Big River, Bonnie and Clyde – The Musical, 9-5 The Musical and many more. Listen to unexpected way he became the protege of the amazing Tommy Tune. And the remarkable series of happenstance’s that led to his working with such luminaries as Bob Hope, and Dolly Parton. Then hear one of the songs from Newsies wonderful score by Alan Menken and Jack Feldman.

2-21-12 – Interview

Four year old Peter Amster decided that if Peter Pan could fly so could he and he had to be restrained from jumping out of the window. From then on he never stopped pushing his limits. Although he was to discover that his body was not designed to dance, he became a passionate dancer and choreographer. Although he says he wasn’t a very good actor – he nonetheless got work, and finally although already a working director – he questioned his technique and expanded his skill. Peter is not only a triple threat; he is a charming, delightful and funny man. Listen to his remarkable journey and go see his direction of Noel Coward’s Fallen Angel at the Asolo Repertory Theatre.

Bonnie and Clyde, the Musical will open on Broadway December 1, 2011. In the weeks before the opening I will be re broadcasting interviews I did with the stars and the creative team when they worked on the show at the Asolo Theater in Sarasota FL., and adding new interviews. First up is my interview with the multi-talented, wonderfully engaging and generous director of Bonnie and Clyde The Musical, Jeff Calhoun.

Interview with Jeff Calhoun 10-18-11 – By the time he was 8 years old Jeff Calhoun knew what he wanted to do: he wanted to be Dick Van Dyke, he wanted to be Fred Astaire, he wanted to dance with the Ernie Flat dancers on the Carol Burnett show; he wanted to be a dancer! It was “in his DNA.” And, as if it was meant to be, a series of circumstances propelled him on the path to becoming a dancer, choreographer and director of musicals. Listen to unexpected way he became the protégé of the amazing Tommy Tune and the remarkable series of happenstance’s that led to his directing such musicals as Jekyll and Hyde, Grease, Big River and most recently Bonnie and Clyde – The Musical, which will open on Broadway this December. Then hear one of the songs from Don Black and Frank Wildhorn’s wonderful score.

July 20 Interview with Iain Webb

Director of the Sarasota Ballet Company, Iain Webb has danced all over the world with some the ballet world’s greatest choreographers and many of its most prestigious companies. But Iain’s story is compelling because he is a real live Billy Elliot, whose working class British father, while never truly accepting that his son was a ballet dancer, nevertheless did everything he could to support his son’s difficult choice. Listen to the amazingly serendipitous way that Iain discovered ballet and how he, fought for, protected and nurtured his dream.

November 03, 2009

Discussion – What are the stories that you tell about yourself? What are the stories you don’t tell about yourself. You can learn a great deal about your Cover Story – that which you present to the world, and your Undercover – that which you hide not only from the world, but from yourself as well, simply by becoming aware of those things you feel good about telling others and those things you prefer to keep secret.

Interview – Tome Cousin, tells the remarkable story of a series of coincidences which lead him, with no intention on his part, to a successful career as a dancer, singer, actor and now, as the Artistic Directing Supervisor of Susan Strohman’s musical “Contact,” which he has most recently brought to Sarasota Florida (listen next week to a review of “Contact.”) Exposed to music as a boy of 6 in order to address a problem of dyslexia, Tome discovered that he was a “natural mover.” But it took many more “coincidences,” before the “light bulb went on” and he thought “I can do that!” Then using the skills he learned at an all boys Catholic military High school (not exactly classical training for a performer), Tome developed his “natural” talents and there isn’t enough room here to begin to list his credits. Suffice it to say that once he found it – Tome became the he – he was meant to be.

October 27, 2009

Discussion – Learn more about Uncovering Try the Who Am I Really exercise.

Interview – The second half of my interview with Carole Schweid, which begins with the “era of children.” In it Carole talks about how the explosively creative mother of two manages to give both her family and her creatively what they require, and to do it with joy!