Lynne Bernfield: psychotherapist / author / consultant / speaker / musician / performer and media artist

4-10-12 –Interview

When he was just three years old Noah Racey’s Dad gave him a snare drum and was stunned to hear, within the first week, his infant drummer playing an entire John Phillip Souza album. Discovering a place to put his excessive energy and deriving a feeling of belonging and pride at being allowed – by age six – to play with his father’s drum circle, Noah put his foot on the path that would define his life; a life that has grown to include tap dancing, acting, and the creation of his own company of triple threat performers, all in the service of storytelling.

Noah has danced in or choreographed for Fine and Dandy, Curtains with David Hyde Pierce, Busker Alley, Where’s Charley?, Babes in Arms, Do Re Mi, Never Gonna Dance, Thoroughly Modern Millie, The Baby and Johnny Project, and Look Ma, I’m Dancin’!, among others. In 2012 he will appear in 1776 at the Asolo Repertory Theater in Sarasota as well as debuting his original dance creation “Pulse” which will directed by Jeff Calhoun.

But perhaps the thing that most defines Noah Racey is his love of his life, his passion for his work, his spontaneity and his exuberance. Listen to the roller coaster ride of joy and fun that is Noah Racey, and watch his tap dancing magic.

11-08-11 Interview Part 3

On December 15th 1941, (following the bombing of Pearl Harbor) President Franklin Delano Roosevelt requested that Norman Corwin’s radio play “We Hold These Truths,” become the first radio program to be carried by all the network stations in the country. Written to celebrate the 150th anniversary of the ratification of the Bill of Rights, and starring Edward Arnold, Walter Brennen, Bob Burns, Walter Huston, Marjorie Mane, Edward G Robinson, Corporal James Stewart.

11-1-11 Interview Part 2

The second half of my interview with 100 year old Norman Corwin begins with his description of Orson Wells’ narrating “We Hold These Truths,” which Norman wrote to celebrate the 150th anniversary of the ratification of the Bill of Rights and which was rebroadcast 50 years later on NPR to celebrate its 200th anniversary. Hear him tell the story of the program he created for Election Eve, the year that FDR ran against Thomas Dewey, and his unwillingness to be paid for it because of his concern that he would “not be safe” at CBS if he declared himself a Democrat. Norman’s story continues with the description of his relationship with actor Charles Laughton and how this relationship lead to a career in Hollywood and the writing of screenplays for films such as “Lust For Life,” the Vincent Van Gogh story which he wrote for director Vincent Minnelli and starred Kirk Douglas. Finally hear a portion of his radio play “Between American’s” – also narrated by Orson Wells.

And listen next week for the full airing of “We Hold These Truths.”

I’m interrupting the airing of my Bonnie and Clyde The Musical interviews to dedicate the next 3 shows to what I believe is the last interview given by Norman Corwin who died on 10/18/11 at the age of 101. I interviewed Mr. Corwin at his home shortly before his 100th birthday. Propped in his wheelchair, with little capacity to move his ancient body, Mr. Corwin was nonetheless lucid, erudite, and remembered virtually everything about his 70 plus year career. After the interviews I will rebroadcast one of his most beloved radio plays “We Hold These Truths.”

10-25-11 Norm Corwin Interview Part 1

Norman Corwin has been called “the poet laureate of radio,” the Bard of Broadcasting, a “citizen of the world” “and “to radio what Shakespeare was to theater.” He is truly a national treasure. Listen to the hilarious “accidents” which propelled his career. Hear the story of his interview with world’s greatest ashcan roller, (who could roll an ashcan faster and further than anyone without spilling an ash,”) and was the very first interview ever broadcast on radio, to the production,”On a Note of Triumph.,” written to mark the end of the war in Europe, which then president FDR had alerted him was soon to come, so that he could have the piece ready in time.

The Plot to Overthrow Christmas

Orson Welles performs “Between Americans” by Norman Corwin 1 of 3

Orson Welles performs “Between Americans” by Norman Corwin 2 of 3

Orson Welles performs “Between Americans” by Norman Corwin 1 of 3

October 13, 2009

Interview – The second half of my interview with Nate Jacobs, in which he tells the story or his mission to create a theater company with and for “people who look like me.” I also interview another founding member of the troupe delightful, 28 year old Leon Pitts, who began to work with Nate when he was 9 years old, and who had no plans for his life until Nate convinced him to audition for a part and it was “lights, camera, action from then on.”

October 06, 2009

Interview –The first half of my Interview with Nate Jacobs, Founder and Creative Director of the Westcoast Black Theater Troupe. Nate’s story is of a man who took a long time to believe what everyone was telling him – that he was a talented singer, dancer, actor, and story teller. For many years he told himself that “they were just being nice.” In this half of his interview Nate tells the often hilarious tale of his discovery and acceptance of himself and what it forced him to do with his life I also play an interview with gregarious and talented 26 year old Tsadok Porter, a founding member of the Troupe who began working with Nate when she was 5 years old.